Story Construction
Once you decide what genre film opening you want to make, you need to start to map out
your story.
CRISIS
To being you need a crisis that is going to happen in the life of our main character, that is
CRISIS
To being you need a crisis that is going to happen in the life of our main character, that is
going to turn their world upside down. It will then force them to take immediate action and
seek to put it right. The crisis will somewhat depend on what genre you have picked. It might
be an easy way to think about this is to suppose.
Suppose -
a teenage girl gets an anonymous letter threatening her life
a women saw her husband in a restaurant with a glamourous blonde
a man was shot death on a train on his way to work
There are some rules for the crisis, it must be appropriate for the genre . It must turn
Suppose -
a teenage girl gets an anonymous letter threatening her life
a women saw her husband in a restaurant with a glamourous blonde
a man was shot death on a train on his way to work
There are some rules for the crisis, it must be appropriate for the genre . It must turn
life upside down for your main character and it should capture the viewers imagination.
Once you have your crisis, do some audience research to see what they make of it. And
Once you have your crisis, do some audience research to see what they make of it. And
adjust it if necessary. It is important to take time at this is the foundation.
STORY GOAL
Once you have the crisis you need to identify what they are going to do about it. The goal
STORY GOAL
Once you have the crisis you need to identify what they are going to do about it. The goal
which if achieved should rectify the crisis and solve it for them and return life to normal.
There are come guidelines for this.
The main character should be trying to gain possession of something or relief from
There are come guidelines for this.
The main character should be trying to gain possession of something or relief from
something, eg loneliness, fear pain etc.
There should terrible consequences of the goal is not reached. The lead should have a lot
There should terrible consequences of the goal is not reached. The lead should have a lot
at stake.
Te main character should have at least one worthy motivation. Your lead character needs to
Te main character should have at least one worthy motivation. Your lead character needs to
have the audience relate to them, so needs to be likeable.
The lead should be working against all the odds and it should appear almost impossible to overcome the odds.
Express this in the following form
My lead's story goal is to ......................................................................
STORY IDEA
Is a combination of the suppose and story goal.
Write this in the form below.
Suppose: A young woman gets diagnosed with cancer. She decides that they must
The lead should be working against all the odds and it should appear almost impossible to overcome the odds.
Express this in the following form
My lead's story goal is to ......................................................................
STORY IDEA
Is a combination of the suppose and story goal.
Write this in the form below.
Suppose: A young woman gets diagnosed with cancer. She decides that they must
spend as much time together as they possibly can.
Also to express it in these terms.
My film is about a young woman who is diagnosed with cancer who wants to live her life
My film is about a young woman who is diagnosed with cancer who wants to live her life
to the fullest because it's too late. She wants to cherish every moment she has left with
her friends and family.
PROTAGONIST
Who is your lead character? Male or female? What age? This might again be driven by the genre. A romance is likely to be a female lead or any age, a thriller a man in his thirties/forties.
Description - Gender, age, appearance, mannerisms, personality, background, personal life, private, work life, strength, weakness, name.
OTHER CHARACTERS FOR OPENING
The other two main characters that might be in your opening are the oppositional character and the confidant.
The oppositional is a character who stands in the way of the lead character achieving their goal. Sometimes a villain, but always have a goal in opposition to that of the main character.
the confidant is someone close to the lead who shares their hopes fears etc. They should be someone who has a relationship with the lead, almost any can be turned into a confidant such as work colleague. sister etc
PROTAGONIST
Who is your lead character? Male or female? What age? This might again be driven by the genre. A romance is likely to be a female lead or any age, a thriller a man in his thirties/forties.
Description - Gender, age, appearance, mannerisms, personality, background, personal life, private, work life, strength, weakness, name.
OTHER CHARACTERS FOR OPENING
The other two main characters that might be in your opening are the oppositional character and the confidant.
The oppositional is a character who stands in the way of the lead character achieving their goal. Sometimes a villain, but always have a goal in opposition to that of the main character.
the confidant is someone close to the lead who shares their hopes fears etc. They should be someone who has a relationship with the lead, almost any can be turned into a confidant such as work colleague. sister etc
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